So Drake might have over shot it a little in the claim that “nothing was the same,” but an A+ for the ambition. The general response to NWTS so far has been positive and that Drake is the rapper for the Millennial generation. I think it’s an accurate statement on the deeper level most critiques are talking about, but I’m 100% positive it’s true based on the references Drizzy uses throughout the album. Naming one song Wu-Tang Forever and using Mase’s verse from Mo Money Mo Problems are big ones. Here are some more I picked up on while listening to the album 40 times in a row, which I’m sure made people on Spotify who follow me think that their feed was broken.
Cash Money/ #1 Stunna
Homie The Clown